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854 陳傑強


陳傑強

學歷

2008- 2013 國立台灣藝術大學 美術學系研究所 碩士


個展

2019 迴盪」,一票人票畫空間,台北 2017 呼吸The Art Club ,台灣

2016 「漂流的夢境」,Galeri x-ist,土耳其

2016 「盒中劇場」,Art Central,Affinity for ART,香港

2016 新加坡藝術博覽會2016,富葰藝術 中心,新加坡

2014 「游牧—陳傑強個展」,富葰藝術中心, 澳門

Education

2008-2013 National Taiwan University Of Art (MFA)


Solo Exhibition

2019 Reverberate」,PiaoPiao & art space,Taipei

2017 BreathThe Art Club ,Taipei

2016 「Floating Dreams」,Galeri x-ist,İSTANBUL

2016 「Theatre of the Contained」, Art Central, Affinity for ART, HK

2016 Art Stage Singapore 2016, Flugent ART Gallery, Singapore

2014 「Nomads– Solo Exhibition of Kent Keong Tan」, Flugent ART Gallery, Macau

創作理念︰

〈Toys〉系列以生活經驗累積的符號作為開端,從中檢視反覆出現在記憶庫當中的某個物件或是影像。以玩具為例,作者重返童年經驗,檢視在玩具物件上餘留的痕跡象徵著什麼,而作者又如何將符號的固有意義,轉換成個人作品中的私人物語。當存留於想像中的空間無限擴張,意識如同掉進一個永遠消失卻一再被觀看的漩渦;面對一種看得見,卻回不去的記憶或是經驗,如何透過手繪的速度,物質的變形,情緒召喚的瞬間彩度的降低,產生出「現象流逝中的安息之所」。



Tan Kent-keong’s “Toys” series it starts with the accumulation of signs in the life experiences, and exams some particular object or image that appears in the memory repeatedly. Take toy for example, the author returned to the childhood experiences to have a second thought of the symbolization for the traces remaining on the toys, and transform the original meaning of the sign to his own art language.Consciousness would be like fall into a swirl of disappearance but can be seeing repeatedly when imaginary spaces expanded unlimitedly.When facing those memories that can be seen but cannot return, the author creates “An elapsing phenomenon of peace land” by the speed of painting, the flash of emotional calling and the decrease of saturation.




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