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International Contemporary Art Fair

© 2019 by WHAAAAAT'S STUDIO OPENING

    崔永嬿 TSUI YUNG YEN


    崔永嬿(b.1972, 台灣)

    崔永嬿 YungYen Tsui,2012畢業於國立臺北藝術大學美術創作研究所。自1999年開始,持續以出版(兒童繪本創作)、繪畫、雕塑等創作形式,發表個人作品。將其特有的、具言說故事的敘事特質,帶到看似不同類別形式的作品之中,串接起其個人的獨特風格。

    光譜裡面沒有黑色:裹著糖衣的不專業馬戲團:

    「蹬蹬腳尖兒馬戲團」,是一個被虛構的馬戲團,透過打磨、烤漆或鍍鈦,光滑透亮的表面與無稜角;即便可愛但一點也不適合馬戲團表演的圓潤身形,團員們持有彼此相似的冷漠面容。顯然地,他們既不專業、也不合適; 這系列作品,透過各種形象、姿態與象徵組裝、再現一種可被認識的形象身份與敘事。在作品中,創作者嘗試讓觀者看到一種身體形態與其正動作中的不可能性——這個雜甩僅僅是一個片刻,他們絕對無法以這樣的姿態將此動作完成,但在形式(重力、質地與姿態的綜合關係)的巧妙按排下,團員們與其說是正處於雜耍運動中的某一個片刻,不如說是如紀念碑般被設計為一個抽離時空想像;徹底處於靜止與沈默中的更古存有,將一切轉換成一種想像、一股鄉愁、一個另類的桃花源象徵。


    Having graduated from School of Fine Arts at Taipei National University of the Arts, Tsui Yung Yen specializes in sculpture, painting, graphic books, and other creative forms. She is considered to be one of the most talented artists born after the 1970s. Her works have been collected by the National Taiwan Museum of Fine Arts and Taiwan Art Bank of the Ministry of Culture, as well as featured in many public space designs.

    Combing through historical materials and classical culture, she created the fictional “The Circus of Den-Den-Ciao-Jean “by reinterpreting traditional Chinese artifacts and figures, as well forming a traditional style using modern aesthetics. The two little feet standing on tiptoe work hard to hold up the round body. The juggling within the inner soul lays hidden under the cute outer appearance, and smooth, translucent surface. Inside the fresh, cute sugar coating, there hides intimate feelings and life narrative. This serves as another type of aesthetic design for an artist who excels at telling stories. 房號:2018